Since I spent an aggregate two weeks on this show (not including the actual time it took to create the work), I’d thought I’d share with you all the fruits of my labor. I meant to post this a couple of weeks ago, but I wanted to upload the video projection component of one of my installations onto youtube first. That, sad to say, did not pan out. Apparently it’s too long. So, what I do have to offer you is A TON of pictures, and a shaky cell phone video of the installation itself…
I am actually incredibly pleased with the way this show pulled together and the response I got from the audience. I really can’t believe how well it turned out. It was, by far, the smoothest installation and opening I have ever had. Everything went as planned, no sudden, dramatic obstacles reared their ugly heads, I never once freaked out. That is a MAJOR accomplishment for this control freak.
So how about some pictures before I blather on more? OK!
So, as I mentioned in a previous post, the first room at WMC was dedicated to a re-installation of Flawless…We shall hence refer to it as Flawless II. Originally, I had thought that I would need two pieces to properly fill the space in that front gallery, but after I started installing and saw how Flawless II was taking shape, I quickly revised that decision. I’m glad that I did, because the room would have been way to cramped and the pieces would not have had any breathing space. I think the resultant installation came out beautifully. Much more like the crashing wave I originally envisioned. I installed it sans video component this time, and I loved it all the more for that. But I think I might still add a different video…I had the suggestion of actual waves. What do you all think about that? We’ll see what happens… For the meantime I’m putting this piece to sleep. Maybe I’ll recycle the prints into something else…
The back room at Working Method housed a video installation which I suppose I am calling Overflow. The video component was an approximately 20 minute loop of a kitchen sink filling with water and, get this, overflowing! The video was projected onto a plastic sheet with water running down it at various times. The water collected in puddles and pools on the floor (at one point even leaking under the wall into another gallery space…whoops) which viewers had to walk through. The resultant foot prints actually wound up making a fantastic trail through the front gallery space. Additionally, some of the water seeped under the plastic sheeting and through the bottom of the wall between the front and back galleries, making some excellent effects on the Flawless II installation. The final bit of the Overflow installation was that there were cans hanging from a frame on the ceiling, dripping water down onto the viewer periodically. It made for some awesome audience reactions.
If you would like to see the video documentation, it will magically appear if you click this link.
Overall, I am incredibly proud of the way my show turned out. I really got some great feedback, and the audience really seemed to enjoy the work over all, particularly the older (say over 30) crowed. They truly appeared to make a connection to the work in the way the younger visitors to the gallery did, with a few exceptions. One of them being a freaking adorable little girl (about 6 or so) who came in with her mother. This little girl asked me some really good questions, and really seemed to understand what I was trying to get at by “making it rain” in the gallery.
So until the next time…Joseph Gordon-Levitt and make some art! 😉